Stage

 

I make the science, the spinneret,

                        fielding the population

 

            with a skull like a great arcade,

my love, the room broken

 

                        into melodies and the melodies

            broken into speech. I paint the diagram

 

of the interstitials and apply the metals

                        to my eyes. The vacuum

 

            holds, is my keeper,

while a delicate infinitude glitters

 

                        along its fine thread.

            Love, we would impress,       

 

in the warmth of the exegesis,

                        with our spells slipping

 

            into dental percussives, the click

of the sex adhering, of the firm dawn

 

                        that has wheeled around in front of us.

 



Volume

 

Sing stop, the organ knob, the private echo. Bonnie

                                    in the morning light,

 

I told you, and smart about the afternoon. 

But what bird stuff could chance

 

to lever a mind?

The great blood-sugar thrum, the steel winds

 

whose noise I equalized against?

Do I tell you a story, my love, or is this

 

publicity? Chin up through the adverbial corrosion,

                                    the stinging slapjack,

 

this wind too large for the crop and woe

this gauntlet of thieves. I married you once,

 

and I’d do it again.

I’d flatten the bill into transparency like

 

a persistence of years. Come the service

and the deficit. Come the earring and the buckle.

 

The incorporated injury. The patient exercise.           

                                    Watching you gather

 

yourself into a single word, watching

the word, watching it all the way through.                            

 

Come alleyway, come ballroom.

Come throat and entreaty, the respirated flesh

 

and the electric night.

Ryo Yamaguchi is the author of The Refusal of Suitors, published by Noemi Press in 2015. His work has appeared in journals such as The Iowa Review,
Tin House, American Letters & Commentary, and Barrow Street, among others. He lives in Chicago where he works at the University of Chicago Press.
You can visit him at plotsandoaths.com

© Ira Joel Haber
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